The New Yorker, January 11, 2010
In her new memoir, Elizabeth Gilbert gets married—whether she likes it or not.
The New Yorker, November 30, 2009
Sports, Sex, and the Case of Caster Semenya
The New Yorker, January 25, 2009
Doing It
"The Joy of Sex" for Today's Reader
The New Yorker, September 15, 2008
Cindy McCain's nontraditional campaign
New York Magazine, January 15, 2007
At 25, he is a growing downtown legend, a graffiti writer turned artist with a beautiful face and a De Menil pedigree, elusive even to the two friends who created his myth. What happens if he’s caught?
New York Magazine, April 30, 2007
Is white appropriate? What’s the right term for a groom who’s a woman? And what to say to her mother?
New York Magazine, March 26, 2007
George Trow’s "Within the Context of No Context" was a brilliant, scary vision of a cultural end-time. Then, having described it, he lived it, spiraling into madness.
New York Magazine, May 10, 2004
Stanley Bosworth, the mad genius behind one of New York’s legendary schools, is not going gently into that good night.
The New Yorker, April 21, 2008
Robin Morgan in the Talk of the Town.
The New Yorker, June 22, 2009
A trip to the glamorous romper room where Simon Doonan and Jonathan Adler reside.

Doing It

"The Joy of Sex" for Today's Reader

linkhttp://www.newyorker.com/arts/critics/books/2009/01/05/090105crbo_books_levy
In 1961, the British scientist and physician Alex Comfort wrote a novel (his fifth) called “Come Out to Play,” in which his alter ego, Dr. George Goggins, opens a clinic with his girlfriend to teach patients advanced sexual techniques. There he develops a compound called 3-blindmycin, which has the power to turn people on: “not raise the libido,” Comfort later told a journalist, “but thaw the superego, the part of the mind that says ‘mustn’t.’ ” In a climactic scene, an explosion releases a cloud of 3-blindmycin over Buckingham Palace, leaving throngs of uninhibited Englishmen in its wake. Years afterward, Comfort said he’d always hoped that Peter Sellers would play him if the book were made into a film; for his leading lady, he pictured Sophia Loren.
Hollywood seems not to have been interested in the story. But if someone were to make a bio-pic of Comfort’s own life it might well feature a scene intercutting that aphrodisiacal cloud with images from Comfort’s most famous book, the 1972 best-seller “The Joy of Sex.” That, too, was a kind of explosion, intended to unleash its readers’ sexual potential by counteracting their ignorance and shame. “The Joy of Sex,” which has sold more than twelve million copies worldwide, was an “unanxious account of the full repertoire of human heterosexuality,” according to its author. It was the English answer to Japanese pillow books, illustrated texts designed to show couples where to put what, and was further enhanced by helpful advice: for instance, “Never, never refer to pillow-talk in anger later on (‘I always knew you were a lesbian,’ etc.).”